Category Archives: Imagery and representation

#DecolonizeDutchMedia – Dutch newspaper urges Black America to stop blaming white people

Written by: Chandra Frank and Simone Zeefuik

Myths of the Netherlands as the home of tulips and tolerance should only exist in the minds of those who’re in the business of touristy promotions. In reality, this is the country of Eva “Nggbtch” Hoeke, Thierry Baudet who got his privilege ravaged and handed to him by the briljant Fatou Diome and Dutch sports commentators who, on national TV, wonder if Boko Haram would be part of Nigeria’s soccer team. It’s the home of white cartoonists who mock Black casualties of forced migration and white public figures who appear on talkshows to refer to African refugees as “blackies” or tell the presenter that he’s rather unlucky because he’s “not just Black… but also stupid!” This is the Netherlands, where on July 23 national newspaper NRC offered space to Charles Groenhuijsen’s column about the trials of the Black communities and the Black Lives Matters campaign founded by Opal TometiAlicia Garza and Patrisse Cullors (pic). The title: “Black America needs to look at itself.”

In his intro, Groenhuijsen argues that “Black poverty in the US comes forth out of racism, but you can’t blame white people for everything.” Groenhuijsen, a white Dutch journalist, writer and public speaker who’s based in Bethesda (USA), is the quintessential poster boy of his country’s distorted approach to Black people’s histories, the national sentiment that whiteness outweighs research or study and the subpar level of journalism all this produces. He continues: “Ask Americans what the biggest problem of the country is and they will start about the economy, unemployment and the role of the government. And since this Spring also racism. Not that racism was ever gone, but it wasn’t on top of the list. Because of deathly incidents where police officers killed black civilians (Ferguson, Staten Island, South-Charleston) racism is back on the front pages. It is a persistent  problem. Contradictions between white and black are rather bigger than smaller. Also the first black president of the US does not bring improvement. Obama doesn’t realize the impossible. Which is not a reproach.”

The Dutch in any case, from their role in slavery to their grave abuse of the rights of illegalized refugees, demand nuance. Whenever racism is discussed in the Netherlands it is always in conjunction with nuance. Groenhuijsen has no intention to break his country’s code of whiteness: “Who in a discussion about racism insists on nuance can count on criticism. What is there to nuance about racism? I will try either way. Not to suggest it’s not that bad with discrimination in the US. It is bad. Large and small racism is there every day. At the office, at school, in shops, on street corners. It leads to an angry debate that gets stuck in the hopeless binary of right and wrong, victim and perpetrator. Too often it is about the consequences in the 21st century of slavery in the 18th and 19th century: a black-white dispute in which bitterness and pessimism prevail. Too many whites say: racism is about over. If a black American can conquer the White House, is everything possible. Stop complaining and demonstrating. Oh, and as well-meaning white person I don’t want to be blamed for something that happened two centuries ago.”

Groenhuijsen’s call for nuance is appalling. Not only is he telling Black Americans what to do in a Dutch newspaper, he suggests Black Americans play an equal part in the current racial affairs. He fails to ask why Black people are attacked and incarcerated daily, fails to ask how white people contribute and maintain the very white supremacist system that he calls nuanced racism. Where does he question how it is possible that Black people are arrested on non-existing grounds and die at the hands of the State? The problem with Groenhuijsen and the likes is that next to forever wanting nuance they also are firm believers of equality. After his ‘analysis’, he deems himself important enough to offer ‘solutions’ for America’s future. And of course, the answer lays in the idea that Black and white both need to let go of their prejudice and work together towards a ‘hopeful’ future. “Is there only bad news for black America? No, the good news is that more and more African Americans are successful. You can become professor, surgeon, director, top athlete, popstar, and indeed president. Unfortunately, the number of those who structurally stay behind remains too large. Too often Black Americans misused deprivation (as powerlessness, despair?) as something to be proud of. Who tries to do better is a show off: ‘You are acting so white’.”

As a good little white progressive, Groenhuijsen reminds us what his kinfolks are known for: discussing racism and discrimination by talking about how it affects white people. “In the meantime, discrimination against white people is very common. Just ask a random white pupil or student. Is it a form of bitterness?” This is the kind of mind that produces hashtags like #AllLivesMatter but limits calls for ‘inclusion’ to occasions when whiteness fears that its ‘other, better side’ is being ignored. Unable to see racism as an oppressive structure, white people like Groenhuijsen fail to graduate from the ‘Why don’t you like me? Why aren’t we talking about what this means for me?’-part of the conversation. To him and the vast majority of his countrymen, racism is the result of a lack of effort to overcome inequalities. Groenhuijsen references cops killing Black people, the link between poverty and racism, the existing figures on racism, and still argues whites will only change their attitudes if Black Americans change their behaviour. Groenhuijsen eagerly makes use of the widespread idea that Black humanity is dependent on white goodwill. He states: “[…] young black Americans: you don’t need to impregnate 16 year old girls because your grandmother sat in the back of the bus. You don’t need to shoot and kill fellow blacks because there was once slavery […] Of course black lives are of value. But why do Black Americans kill each other so often (more than 40 deaths a week)? When compared to whites, the number of African American killers is seven times as high. Doesn’t your battle cry count in those cases? Why isn’t there a black leader standing up to yell “Yes, all black lives matter” for every black murder victim? […] Obama is the best possible ally of black Amerika. But don’t expect a black president to solve just solve all problems for you.”

The aim of the translations we offer here is not to reproduce his racist and violent words, but to hold Groenhuijsen and Dutch media responsible and call them out on their racist propaganda. Dutch media needs to face their daily reproduction of whiteness plus answer for it on both a national and an international level. It is utter cowardice to write such bold, anti-Black statements about a movement but do so in a way in which the changes of a response are slim to none. Did Groenhuijsen approach any American media in an attempt to sell his Dutch views on the Black Lives Matter movement? If Groenhuijsen is serious, or at least sincere, about the advice he wants to offer Black America, why did he choose this rather inaccessible form? Could it be that, not quit unlike a growing group of white liberals/progressives/saviors/etc. Groenhuijsen thinks that conversations about Black people need to be had far away from the reality that we might respond and drag them for filth?

Please add #DecolonizeDutchMedia to your statements on social media and consider mentioning @nrcnext when you’re Tweeting about this article. We’re urging everybody to not click on any of the NRC links so they can’t turn this into some random click peak that will make them more interesting for sponsors and/or advertisers.

Wij

(Speech die ik op 26 juni tijdens de Keti Koti tafra in het Bijlmer Parktheater gaf)

Wij die met zusters als Stacey Esajas en Marian Markelo onze voorouders danken
en leven blijven blazen in dat waar zij voor gestorven zijn
Wij die weten dat het bittere reinigt en
geen genoegen nemen met zoethoudertjes omdat we weten hoe duur de suiker is
Wij die vechten voor beter en vooral eerlijk onderwijs
en keer op keer wraken wanneer de conducteur van tram 9 omroept dat de volgende halte
Plantage Middenlaan is.

Wij kinderen van Sophie Redmond,
Joceline Clemencia,
Dobru,
Clark Accord,
Ellin Robles,
Anton de Kom,
Segundo “Boy” Ecury,
Waldo Heilbron,
Légène Zeefuik,
Fred Derby.

Wij die werden nagestaard
en terugkeken
werden bespuugd
maar terugbeten
Wij die Kerwin Duinmeijer nooit zullen vergeten
het niet altijd even goed documenteerden of archiveerden maar
altijd, altijd, altijd hebben gedemonstreerd en gestreden

Wij die buttons met 1873 dragen omdat officiële data mooi en waar zijn
maar we beter weten

Wij die ons op 18 januari 1919 verenigden en het Hugo Olijfveldhuis betraden
wiens centra Flamboyant waren
die in Zami een nieuwe spelling van onze naam vonden
die geen tijden hadden om door anderen gedefinieerd te worden en onszelf
ZMV noemden
Wij en ons Zwart Beraad
onze OCAN
BLAAC bookstore
Soapbox
onze dialoogtafels
onze ASAH
Imagine IC
ons New Urban Café

Wij die tentoongesteld werden maar nu onze Black Heritage Tour naar het Rijksmuseum brengen
Wij die het Tropenmuseum en het museum van Volkenkunde zullen dekoloniseren

Wij die exposeren
die onze Rebelse Trots op in Dakar geborduurde doeken vereeuwigen
met de tentoonstelling Agnosia onszelf bestuderen
die onze eigen, door onszelf geschreven verhalen publiceren
onszelf met Da Bounce, Urban Myth, Untold in theaters zetten
Wij die theaters runnen
Wij die theaters runnen wiens sterren Kraters slaan
Wij die in Black Harmony onze zielen horen

Wij die regisseren
Al generaties lang het NOS journaal presenteren
Wij die er geen geloof in hebben dat de mainstream media zichzelf dekoloniseert en dus
onze eigen talkshows financieren
Wij die ons in De Wereld Draait Door geen “zwartjes” laten noemen
Wij die rotzooiprogramma’s als De Wereld Draait Door, Pauw en Jinek überhaupt niet zouden moeten kijken
Wij die trots zijn op Humberto en het zo jammer vinden dat zijn show zijn naam niet draagt.

Wij, met onze voetballers die Kabels zijn
met onze voetballers die na een wedstrijd van Jong Oranje met de Surinaamse vlag op hun schouders over het veld rennen
en slechts één selfie nodig hebben om het Nederlands racisme te vangen
Wij die, wanneer ze ons op de bank laten zitten, de leeuw op een poes laten lijken

Wij die onszelf er niet vaak genoeg aan kunnen herinneren dat ons verzet niet in Gouda begon
Wij die reeds in 1987 in Sesamstraat over zwarte Piet zeiden:
“Nee, Pino… het is helemaal niet leuk. Ik heet Gerda, ook als het Sinterklaasfeest is.”

Wij kleinkinderen van Tula en Alida
Met het hart op de tong
de overleving in onze spraak
en de afkeur in onze tjoeries

Wij die luid lachen maar geen grappen maken

Wij die altijd zullen rouwen om de Decembermoorden,
Moiwana,
Trinta di Mei,
de vliegrampen
Wij wiens tranen zouter zijn dan die van Den Uyl

Wij die soms vergeten dat Keti Koti niet alleen een Surinaamse viering is
Wij die de fysieke ketenen hebben gebroken maar ons soms nog laten vangen door
tradities
gedachten
gewoontes
schoonheidsidealen
smoesjes
subsidies

Wij die nu met elkaar in gesprek zullen gaan over onze helden en herinneringen
Wij die ter afsluiting van deze speech om ons heen kijken naar dit prachtige gezelschap
aan deze geweldige Keti Koti Tafra

Wij die het glas heffen en toasten
Op ons
Op ons!

To be young, gifted and watercolored

Yesterday, Premium Times excited my fellow list lovers and me by publishing a teaser of their 2014 list of Most Influential Africans. I’m certain their overview is more impressive than the illustration that ‘graced’ it and I’m sure we’re not even a three digit countdown away from someone who’ll start philosophizing about artistic freedom or an illustrator’s right to abstractions and interpretations but really… what’s up with this colouring? At least six of them are buckets of white lighter than they truly are.

Clockwise, the drawing shows the following icons:
1. Lupita “My Dreams Are Valid” Nyong’o. If it wasn’t for the dress, this could have depicted Halle Berry.

2. Truth be told… I’m not certain about who the lady next to Nyong’o is supposed to represent. If I didn’t know better I would hope that the illustrator saluted South African singer and composer Sathima Bea Benjamin because her influence and artistry remains ever so relevant but I doubt that my jazz heart will be so lucky. Speaking of luck… this isn’t C.A.R.’s interim president Catherine Samba-Panza, is it?

UHURU-WAVING3. Obiageli Ezekwesili (pic), former member of the Nigerian government  and one of the Nigerian ladies who spearheaded the #BringbackOurGirls campaign

4. 
This one made me Google all the names in the text but if my Sherlock senses don’t deceive me, this is Donald Kaberuka, President of the African Development Bank and Rwandan economist.

5. Kenyan President Uhuru Kenyatta (pic).
6. Kelvin Doe a.k.a. DJ Focus, 18 year old engineer and innovator.
7. Ugandan President Yoweri Museveni

The questions write themselves.