Last ever GembertheeSessies and Sisterhood (play)

Sometimes, good things come to those who… leave. After resigning from my job at Bijlmer Parktheater, the last ever edition of the GembertheeSessies (Ginger Tea Sessions) is almost here. On Saturday March 28, from 15.00h-17.30h, the ever so marvelous Sheralynn Adriaansz and Janilda Bartolomeu will be our guests. Sheralynn will give a performance lecture about Blackness in the Dutch theatre world. Janilda will screen cinematic sketches of her work on Capeverdean communities in Rotterdam, Cabo Verde’s proverbial 11th island. As always, Labyrinth Amsterdam will be in charge of our tea. Best in NL!
Please note: This edition both the presentations and conversations will be in Dutch.

About the speakers
Sheralynn Adriaansz is the artistic director of Likeminds. Prior to this, she worked as a theater maker, programme maker, project manager, and moderator at Theater Bellevue, De Krakeling and other leading organizations.
Filmmaker and researcher Janilda Bartolomeu’s work centers the stories of the Cape Verdean diaspora, particularly in Rotterdam and Dakar. She is affiliated as a researcher with Het Nieuwe Instituut (Rotterdam) and RAW Material Company (Dakar).

For more info about the program and the ticket link, be sure to check the GembertheeSessies webpage.

Sisterhood
‘What’s the maximum distance between Sisters who claim to be on the same side?’ Actor and director Romana Vrede invited me to write the script for her new play about the friendships between seven women. The story is about imagination, Whatsapp groups, deal-breakers, the World Cup match between Cabo Verde and Portugal, jollof and so much more. I’ll write more about the writing process soon-soon but, just wanted to let you know… the tour is happening as we speak. Between now and April 26, the tour is taking us all over the Netherlands. Be sure to find a theater of your liking and come sit with us.
Please note: This play is in Dutch.

Director: Romana Vrede.
Assistant director: Toni Blackwell.
Music: Shanice Shaynah Redan
Dramaturgy: Aukje Verhoog
Scenography: Dennis Vanderbroeck
Lighting: Tim van ‘t Hof
Hair and make-up: Alejandro Blijd
Choreography: Alida Dors and Henry Tawiah (assistant choreographer)
Actors: Shanice Shaynah Redan, Jennifer Muntslag, Nicole Geertruida, Susan Malaika Bailey, Adanna Unigwe, Ritzah Statia, Denise Jannah

Be sure to check the Sisterhood webpage for more info about the play, the full list of credits and the ticket links.


Two Gingertea’s and a theater quiz

Late last year, I decided to quit my job at Bijlmer Parktheater. My last two GembertheeSessies (Ginger Tea Sessions) will take place on:
– Sat. January 24, 15.00h-16.30h with Esiri Erheriene-Essi. This edition will be in English.
– Sat. March 28, 15.00h-17.30h with Sheralynn Adriaansz and Janilda Bartolomeu. This edition will be in Dutch.
Location: Bijlmer Parktheater, Amsterdam.

Since earlier this week the Netherlands has been under the spell of snow. Public transportation is running slower or not at all and some venues are cancelling their programs. So, I decided to put together a theater quiz. It’s in Dutch. Future quizzes might also be in English. Let’s see how the year goes!

To play the theater quiz, please use the following info:
Link: https://kahoot.it/challenge/02558644
PIN: 02558644

Happy January.

* The painting above is a picture of Esiri Erheriene-Essi’s painting The Birthday Party.

… a deep-brown kind of golden

-You can listen to an audio version of this text by clicking the play button-

As always, Read My World set the tone. That Friday, with the conversation between co-curator Maboula Soumahoro and Rokhaya Diallo, the standards for being ‘in conversation’ were lifted sky-high. Be sure to check Read My World.nl for impressions of it. For a great part, the warmth of their conversation springs from a decade-long Sisterhood. As hosts, moderators, interviewers, etc. we’ll speak to many people who we don’t share that connection with. But, what we can do… correction… what we must (continue to) do, is deep-dive and nerd-out and sit with the work of our guests in such a way that we match, or at least come real-real close to those levels of knowing. I’m excited to continue studying the works of Manyaku Mashilo and Larry Achiampong. And, I look forward to our two programs making me feel the way Soumahoro and Diallo’s conversation made me feel: Full. Inspired. And with a face warmed by laughter.

At Rest: A conversation with Manyaku Mashilo
Manyaku Mashilo is a Cape Town-based artist whose multidimensional practice encompasses mixed-media painting, drawing, and collage. Born in Limpopo in 1991, she addresses themes of spiritual identity, memory, ancestry, community and belonging. Mashilo draws on inspiration from photographic archives to build expansive scenes where imagined representatives of Blackness migrate through abstract liminal spaces. These scenes act as celestial cartographies, connecting the depicted Black figures through a felt mutuality of heritage, spirituality, shared ritual and intent.

The basics
Date and time:
Wednesday October 22, 19.30u-21.00u.
Location: Theater Bellevue (Amsterdam, close to Leidseplein and Overtoom).
Tickets: €6,50, €9,50 and €15 via this Theater Bellevue-link.

GembertheeSessies with Larry Achiampong
Speaking of artists who make me dream of co-owning a gallery which also has a cinema and a theatre room: Larry Achiampong. I remember seeing only the stills of his film Wayfinder and thinking: “What a wonder to have your journey imagined by someone who loves in landscapes.” And, guessing that this film came from the mind of a person who loves videogames. Since then, I’ve followed his work with great excitement. His book “If It Don’t Exist, Build It” is a favourite on my bookshelves.

Larry Achiampong’s projects employ film, still imagery, aural and visual archives, live performance, objects, sound and game design to explore ideas surrounding class, gender, cross-cultural and digital identity. With works that examine his communal and personal heritage – in particular, the intersection between popular culture and the residues of colonisation, Achiampong crate-digs the vaults of history. These investigations examine constructions of ‘the self’ through the activity of splicing the audible and visual materials of personal and interpersonal archives,
offering multiple perspectives that reveal the deeply entrenched inequalities in contemporary society.

The basics
Date and time:
Thursday November 13, 19.00u-21.00u.
Location: Bijlmer Parktheater, Amsterdam.
Tickets: €12,50 via BijlmerParktheater.nl 

Theatre recommendations
Strange Fruit’s, by Sedrig Verwoert and Productiehuis Rotterdam. I was Blown. A-WAY. Please note: Theater De Schuur in Haarlem programmed a Q&A/conversation with Sedrig Verwoert after the play.
Mimi’s Shebeen, by Alesandra Seutin and KVS. Two years ago, I went to Bruxelles twice to see it. And yes, I’m buying tickets to see it a third time. Excellent, just excellent.

Must watch
If you understand Dutch, be sure to watch Geen Surinamer in de straat (No Surinamese person in the street), the new episode of Andere Tijden featuring Bijlmer icons André Reeder and Ernestine Comvalius.